Progressive & Bass House, Dance-Pop
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BIOGRAPHY
– The Mainstage Power / melody & vibe
AVOR is Jan’s high-energy alter ego, built for the club and festival stage. With electrifying DJ sets, custom visuals, and anthemic tracks that blend Future House, Big Room Techno, and melodic drops, AVOR is designed to move massive crowds.
Known for unforgettable performances and powerful audiovisual experiences, AVOR is ideal for peak-time club nights and electronic festivals.
Genres: Dance-Pop, Future House, Big Room, Progressive House – Best for: Festivals, club art production, audiovisual DJ sets.
The Musical Worlds of Jan Javorský
Behind every great sound is a story – and Czech artist Jan Javorský brings two unique sonic identities to life (AVOR, Lytrax). From emotional dance-pop to explosive mainstage sets and experimental techno realms, his versatility makes him a one-of-a-kind creator in today’s electronic scene.
A Lifelong Musical Journey
Jan’s story begins in childhood – not in a nightclub, but in a concert hall. He studied piano and later mastered the French horn, winning competitions and performing live across the country. This classical background became the foundation of everything that followed. Over time, he discovered electronic music and began to blend orchestral emotion with club energy. After years of experimenting with every EDM subgenre, Jan discovered his core – powerful melodic music with orchestral depth. But instead of limiting himself to one style, he created two unique identities, each tailored for a specific musical world – and audience. One is ready for commercial club and festival sounds & the second without any limitations so simply to say experimental and quite underground performance.
MAD-HALL co-founder
Why we founded MAD-HALL: I was tired of paying for every piece of crap.
As a producer, I used to release music through DistroKid. At first it sounded good – cheap, fast, easy. But the longer I used it, the more, excuse the expression, I got sick of it. There was an extra fee for everything and there was always some kind of restriction or threat that if I left, they would delete my tracks.
Do you want Shazam? You pay extra.
Do you want YouTube Content ID? Another extra fee.
Do you want to add a producer for a collab? Well, another fee.
And even if you pay for everything, you still feel like your music is just hanging in the system and no one cares about it. Moreover, DistroKid often doesn’t fill in even half of the important information that is needed for the release to go smoothly.
Simply a piece of cake – and the corporate is only thinking about where to put another wall for you that you will have to tear down with your wallet.
And that is exactly why we founded MAD-HALL.
We didn’t want to keep forcing artists to pay for every checkbox in the system. We wanted to get a distribution that makes sense, has a clear model and where you know what you are paying for – and that it has real value.
Thanks to the connection to The Orchard (Sony Music), we now offer top-notch distribution that is only available to major labels, corporations and well-known artists. And we can also offer it to individuals. Yes – even if you are an independent producer, you have access to the same platform as the biggest players. And real support, community and tools that will push your releases further.
We stand behind MAD-HALL as producers, not as a corporation. We know what it is like to be on the other side. And that is why we have built a system that is fair, simple and, most importantly, functional. We have connected the biggest giant with us, artists from villages and cities.
Here you do not pay for every piece of crap separately. Here you build something that makes sense.
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